Pillars, Pews and White Balance: Editing Church Interiors for the Parish Magazine
Volunteer photographers shoot some of the trickiest interiors in Britain: cold daylight from a west window, tungsten sconces, and a few dozen candles doing their own thing. Here is a calm, repeatable Photoshop workflow that straightens the columns, tames the noise in the oak, and keeps the stained glass looking like glass rather than a lightbox.